Noted local historian, author,
teacher and three-term Marquette mayor
Known and beloved as a storyteller, mentor and friend
to countless numbers of followers and fans both regionally and internationally
through his books, travels and speaking tours, Rydholm inspired and
influenced the way many think and relate to their personal life story,
their cultural identity and their relationship to the Upper Peninsula's
Born on March 11, 1924, to Eber F. and Louise Harwood Rydholm,
Fred was a graduate of Albion College and served as a Navy hospital
corpsman during World War II. For most of his professional career, Rydholm
taught seventh- and eighth-grade general science, retiring from Marquette
Public Schools in 1982. His public and personal avocations over the
course of his lifetime were numerous, including 14 years as a Marquette
city commissioner, a candidate for state representative in the 1960s,
a loved and well remembered counselor at Bay Cliff Health Camp, and
a wilderness guide at the Huron Mountain Club.
On December 26, 1953, Rydholm married June Elsie Beltrame,
and from 1953 to 1968 the couple served as codirectors of the children's
program at the Huron Mountain Club while raising their two sons, Fred
K. and Dan. In 1949, Rydholm purchased the halfway camp on the Bentley
Trail, the historic footpath connecting the McCormick Wilderness Estate
near Michigamme and the Huron Mountain Club. Rydholm would spend the
majority of the rest of his life documenting the history of the people
and places associated with this overland route through some of the most
pristine wilderness in the country. His lifelong efforts culminated
in his two-volume work, "Superior Heartland: A Backwoods History,"
which is now considered a regional classic of its genre.
In his later years, Rydholm turned his attention to the
region's mining and mineral heritage, hoping to confirm his theory that
the natural native copper endemic to Isle Royale and the Keweenaw Peninsula
was a focal point of contact and trade in the ancient world. His theory
along with a personal meditation on his lifelong fascination with native
copper is presented in his last book, "Michigan Copper: The Untold
Story," which, in many ways, serves as epilogue to his earlier
work and an epitaph to his life.
Rydholm's final years were devoted to the vision of building
a museum in the Upper Peninsula's Copper Country, where the world's
largest piece of float copper could be displayed to dramatically show
the area's peculiarly unique mineral heritage. As president of the Ancient
Artifact Preservation Society, it was Rydholm's dream to raise the necessary
funds to accomplish this goal.
Rydholm is survived by his wife, June; and his two sons,
Fred K. (Pat Burke) and Dan (Kathleen Heideman).
Actor, Illusionist, Story Teller, Producer, Circus
Gale LaJoye grew up and lives in Marquette, Michigan.
It is there that LaJoye began and continues to study how people respond
to situations and each other. Over time, LaJoye has learned how to integrate
his observations into funny and poignant stories without words –
stories that turn sorrow into joy and inspire us to embrace life.
LaJoye has worked to make a difference in the lives
of others his entire life. In college he enrolled in pre-law. When required
to take a humanities or theatre course, LaJoye chose theatre. Soon after,
he shifted his focus from pre-law to theatre, when he discovered how
plays can change people’s lives. His initial dramatic roles were
in Chekov’s “Three Sisters” and as the lead, Randle
McMurphy in “One Flew Over a Cuckoo’s Nest.”
Early on, LaJoye developed a reputation for portraying
complex characters - characters that rely on physical humor and non-verbal
communication. After college, LaJoye immersed himself in pantomime and
the Japanese art of Kabuki.
In 1973, LaJoye ran off to Florida to be with the
greatest show on earth - Ringling Brothers and Barnum and Bailey Circus.
While with the circus, he mastered the art of gesture, silent communication,
and poignant short story telling. Within four years, LaJoye became “Boss
Clown” - one of the highest honors in the circus tradition.
In 1979 fate dealt Gale LaJoye a crushing blow. After
a car accident, his doctors advised him he would “never walk again.”
Driven to be a performer, LaJoye immediately began rebuilding his body
and using humor to heal his mind and soul.
Today, you would never imagine LaJoye was once paralyzed.
After regaining his balance and the ability to perform physical stunts
in the early 1980’s, LaJoye produced the critically acclaimed
and much loved “Too Foolish for Words.” After touring this
silent comedy around the globe, LaJoye set to work to produce “Snowflake.”
After premiering Snowflake in 1990, LaJoye embarked
on a global tour. LaJoye’s Snowflake has toured throughout Asia,
South America, Australia, Mexico, Canada and the United States. Hailed
by critics and audiences alike as “a must see,” LaJoye has
performed Snowflake thousands of time. In Japan alone he toured Snowflake
to 280 cities.
When not on tour with Snowflake, LaJoye is developing
his next tour de force. His next production is slated to premiere after
this Encore Tour of Snowflake ends. Like no other, Gale LaJoye weaves
different schools of theatre into funny and poignant stories that help
adults and children turn sorrow into joy.
The Grand Old Man of the U.P
Peter White is regarded as the Grand Old Man of
the U.P. He came in contact with the U.P. in 1845 when arriving at Mackinac
Island, at the time the center of trade and enterprise on the Great
Lakes. He worked there for two years with the U.S. Lighthouse Service
and as a handyman in a trader’s store.
In 1849 he joined a party heading for the news iron
country, and landed at what later became the city of Marquette. There
he worked as a timekeeper, as a guide through the woods to Escanaba,
and the keeper of the Marquette Iron Company’s store.
In 1852 White, then 21, was appointed postmaster of Carp River, later
renamed Marquette, and held the office for 12 years. During that time
he was aware of the developing iron mining industry and the opportunities
it offered, and though he didn’t have the funds to invest in it,
he opened a supply store for miners, and got into banking and real estate.
When the Soo ship canal opened in 1855, he was ready for the new era
that ensued. That year he was elected state representative and went
to Lansing (the trip took 15 days on snowshoes to Escanaba and by foot
and stage the rest of the way).
In 1857 the federal land office was moved from the
Soo to Marquette and White was made its register. As time allowed, he
studied law, was admitted to practice before the U.S. Supreme Court,
and had his law office in Marquette for 10 years until other interests
absorbed him. By the time the Civil War rolled around he was easily
the town’s first citizen, his bank had become a national bank,
his real estate ventures were successes, and through his connections
he was selling iron and was convinced the demand for the ore would increase
drastically to meet the nation’s industrial needs. On a trip to
Detroit he found some of his own ore on the docks and promptly bought
it, along with other stockpiles. Going on to Cleveland, he sold a thousand
tons to a single foundry, and at weeks end he had made a $35,000. profit.
Here were the beginnings of his vast fortune.
Over the next several decades White dealt in lands,
timber, iron ore and insurance, and despite his business connections
he participated actively in civic and public affairs, even serving a
term as a state senator. He gave generously to the city, funds for a
public library and to found a hospital, aids to churches of all faiths,
and secured Presque Isle from the federal government as a city park,
still regarded as one of the finest city parks in the country.
He received honors, which included an appointment to the 1893 Chicago
World’s Fair Commission, an honorary degree from the University
of Michigan, and the naming of a new building at Northern Michigan University,
the Peter White Science Hall.
At the semi-centennial celebration of the opening
of the Soo canal in 1905 White was a principal speaker, and in his address
said “This vast land locked sea (Lake Superior) with all it’s
tributaries is free, and its freedom means these infinite results, the
greatest addition to freedom since freedom came. And we who have seen
its development, and have worked the forests and mines which have chiefly
made its commerce, may pause in wonder that so few and so feeble a people
living under so cold a sky should have been permitted to share so largely
in changing the seat of empire, and enlarging the happiness of the world.”
Peter White died in 1908. In a memorial sermon Episcopal
Bishop Williams said, as it was said of Christopher Wren, “If
you want to see his monument, look around you.”
As taken from, U-P People
George Shiras III
True Wildlife Photographer, U.S. Representative for Pennsylvania, Marquette Summer Resident, died in Marquette, Michigan, Interment in Park Cemetery
Above left: Never before had any one actually seen a beaver working on a tree,
this is the very first photograph ever of such.
Middle: Shiras himself floating in his boat taking random flash pictures.
Right: The supreme results of one of those random flash pictures.
"I see. You know George Shiras three. He must be very interesting." "He is. He's about the most interesting man I know." -Ernest Hemingway, from "Homage to Switzerland"
Growing up the son of a wealthy Supreme Court Justice, George Shiras III (or as Shiras signed it, "3d") first saw the woods and waters of the Upper Peninsula of Michigan in the summer of 1870, spending his summers with his father at a family cabin and hunting and fishing in the nearby woods and lakes. In the 1880’s however, he exchanged his deer rifle for a bulky 5x7 view camera (“hunting with a camera,” as Shiras called it”). Nothing in his later experience would ever dim the impression they made on him-not the trappings of wealth and position; not the influence of the finest schools; not the example of his father, a U.S. Supreme Court justice; not a promising legal career of his own. Not even a term spent in the U.S. Congress, where he introduced the legislation that would become the Migratory Bird Law-securing for Shiras an important place in the annals of conservation-could lure him away for long.
Shiras returned every summer to Marquette, Michigan for over 70 years. There he married his wife, daughter of Peter White and had two children, a boy and a girl. During his early years, the interests of George Shiras 3d were those of a keen hunter and fisherman. As he grew older and his viewpoint broadened, he became more and more enthralled by the wildlife and the beauties of the region where he had passed so many years. By the late 1880s his hunting instincts had been more and more replaced by the sympathetic desire of the naturalist to know more of the lives, habits, and mentality of the wild things he so often encountered. Whatever that quality was, by 1889, his 30th year, he largely lay gun and rod aside in favor of a more absorbing instrument: the camera.
Shiras' own words: "Fairly within the realm of romance were my two days travel on foot, with an Indian guide, when I was twelve years old, through a pristine wilderness to a beautiful lake hidden in the forest about twenty miles east of Marquette. The lake had been discovered by my guide the year before. I named it Whitefish Lake because a small river of that name entered Lake Superior at a point that made probable its origin in this lake, although this connection was not verified until a few years later. To this secluded place I have returned for more than sixty consecutive years, first as a boy and later often accompanied by relatives and friends. The natural beauties of this woodland haven and the interesting wildlife inhabiting the surrounding forest undoubtedly had a governing influence in developing my career as a sportsman-naturalist. It was there that, as a youthful hunter, I shot my first deer. There I took my first daylight And flashlight photographs of wildlife, and there I became an observing field naturalist."
Whitefish Lake (now known as Peter White Lake) near Deerton, became the family retreat. It was a place that would soon go down in the annals of photographic history as the location for Shiras' innovative and pioneering of wildlife photography. Wildlife photography barely existed: Cameras were cumbersome and primitive, wildlife was elusive and difficult to film. But Shiras's inventive genius contrived methods and devices that resulted, among other things, in the first flash photographs and the first trip-wire photography of animals at night. Other photographers of the day had captured breathtaking scenes of landscapes and wars, portraits of people and individuals, but wildlife, it was unexplored territory.
Shiras devised several methods of capturing wildlife on film. One, he would float quietly in a canoe after dark, his camera mounted on the front, intently listening until he heard noise or movement and then take a shot towards the source of the sound. Another was where he set up bait attached to trip wires where any animal taking the bait would also take its own picture. The results of some of these portrayed wildlife in never before seen images of the creatures of the wilderness going about their habits and routines. The mysteries of wildlife was presented to the world.
Shiras' pictures were breathtakingly dynamic, utterly unique for the times. Enlargements of some of them, the famous "Midnight Series" of deer at night, photographed entirely around Deerton, won the gold medal in the forestry division at the Paris Exposition of 1900 and then won top prize in the photographic division as well, without ever having been formally entered in that competition! The series also received the grand prize at the St. Louis World's Fair in 1904. Perhaps inevitably, Shiras came to the attention of Gilbert H. Grosvenor, the Editor of NATIONAL GEOGRAPHIC, with results that set the standard for the Geographic's photographic reputation. The July 1906 NATIONAL GEOGRAPHIC published wildlife photographs by Shiras. Grosvenor printed 74 of Shiras's photographs accompanied by only a brief text, devoting nearly the entire issue to George 3d, a proportion unheard of in its day. The gamble was wildly successful, making this issue of the magazine one of the most significant ever published. For Shiras, it meant wide dissemination of his pioneering work. For the National Geographic Society, it meant a gratifying surge in membership and the beginning of a close and renowned association with wildlife photography.
The impact of the July 1906 NATIONAL GEOGRAPHIC reached all the way to the President Theodore Roosevelt, who was so taken that he promptly picked up his pen and implored Shiras to "write a big book-a book of bulk as well as worth, in which you shall embody these pictures and the results of all your invaluable notes upon the habits, not only of game but of the numerous other wild creatures that you have observed....Do go ahead and do this work!" Shiras was deeply impressed with this appeal. But he was too busy in the active pursuit of photography and conservation work to undertake it at the time. For the next several decades he ranged all over North America with his cameras, but always returning to his beloved place at Whitefish Lake. All the while his relationship to the National Geographic Society strengthened. Between 1906 and 1932 Shiras published nine illustrated articles in the NATIONAL GEOGRAPHIC, which generated so many requests for prints that pictorial supplements of two of his prizewinning photographs of deer at night were included with the July 1913 and August 1921 issues.
But as he grew older and his eyesight began to dim, Shiras recalled Roosevelt's insistence and resolved to finally write his "big book." Once again he turned to the Geographic. After all, he had been a Society trustee since 1911, and in 1928 he, in turn, entrusted 2,400 of his finest photographs to the Society for permanent retention in its files. Now he selected 950 of these images for inclusion in a two-volume work comprising extensively revised versions of his many articles.
Failing eyesight in his later years forced Shiras to set aside his camera. He ultimately produced a two-volume book about his wilderness photography titled Hunting Wild Game with Camera and Flashlight, the magnum opus was published in 1935 ,the first volume of which is almost entirely devoted to the images captured at Whitefish Lake and the Upper Peninsula. Nearly 30 years had elapsed since Roosevelt had first urged him to compile it, and in belated recognition of this inspiration, Shiras dedicated the volumes to the memory of the late President. It was very warmly received. The prestigious British Journal of Nature echoed most reviews when it proclaimed the book "an outstanding work of its kind" that "must be looked upon as a classic in the history of wildlife photography."
Despite this reception, the exacting Shiras unhappily discovered that many minor errors had crept into the text. So despite failing health, for he was now 78, he labored to make the necessary corrections as quickly as possible. The result was the second edition of the work, amended, revised, and enlarged, published in 1936. Still unsatisfied, Shiras even began work on a third edition, but did not finish it before he died in 1942 at 83. Thus it is the second edition, in Shiras's judgment, that is the best of the two. Summing up his own life's work as well as his relationship with the Society, its pages remain the most complete guide to the world of George Shiras, a world of woods and waters and wildlife. It remains a monument to an important early conservationist who is also known as "the original advocate of wildlife photography."
Thus George Shiras III, the original advocate of wildlife photography, was (1) the first to photograph in daytime wild animals of birds from a canoe or blind; (2) the first to get automatic daylight pictures of wild animals by their touching a string across a trail or pulling on bait attached to a string operating the shutter of a camera; (3) the first to operate the camera at a distance by a string running from a blind; (4) the first to invent a means for picturing animals from a canoe by hand flashlight; (5) the first to invent a means to obtain automatic flashlight photographs for which the animals or birds fired the flash; (6) the first to use two flashlights and two cameras, one set picturing the animal when quiescent and the other set, a second later, showing the animal in action when alarmed by the explosion of the first flashlight; and (7) the first to practice wing shooting with the camera by means of a specially devised apparatus by which wild fowl and shore birds can be photographed when flying from 50 to 70 miles an hour.
George Shiras III was one of the true pioneers of the Upper Peninsula of Michigan, he realized its potential then took it to a historic level. His name still graces many places in the Marquette area, as it should. He revolutionized a medium that we take for granted every day. He was an amazing man for an amazing place.
Collectors note: The July 1906 NATIONAL GEOGRAPHIC was so popular that it was reprinted soon after its initial publication. These reprints are apparently indistinguishable from the originals. Reprints were also made in 1964. These are marked "reprint" on the bottom of the cover. The pictorial supplements issued with the July 1913 and August 1921 issues came folded inside the front covers of the magazines. Both unfolded and framed copies were available upon written request to Society headquarters. As can be seen in the illustrations, it is clear that these reproductions were published by the Society. Shiras had approved a series of limited-edition bromide enlargements of his award-winning "Midnight" pictures in 1901, prior to his close involvement with the National Geographic Society. These were produced in a variety of sizes, often limited to a thousand copies apiece. "Copyright by George Shiras III" would probably appear in the lower left corner of each.
Information Source: Hub Pages, Nature and Wildlife Photography, Mikel B Classen
Endurance Chiropractic, LLC
Professional Cyclist, Body Builder and Owner/Doctor of Chiropractic
Eric grew up In Ishpeming, MI as a Neighbor of James “Hoolie” DeCaire. He began riding in 2004, the year he started chiropractic school. He had only done bodybuilding prior to that and was going to train for a triathlon. He ran and swam in the winter, and hit the bike in spring. After trying a bike race he has not ran or swam since.
Besides being a Pro Cyclist, he is also Owner/Doctor of Chiropractic in Scottsdale, AZ. His practice and professionalism is important. It was interesting to hear that he fears crashing. "My practice and patients are important, it's hard to be a role model coming back from a race busted up."
Amazingly, Eric does well with limited training. With his already long days, he only gets out a few times per week and has to make the most of his time. He is lucky to get out 4 times a week, with his commitment to his practice and patients.
Marcotte went to school in Michigan, and after completing his studies he shopped around for different areas of the country to move to. He originally came to Arizona after being hired for one chiropractic office, but that didn't work out as intended. Overall, he loves racing out west. "California is pretty laid back, and ego's aren’t so big there."
Marcotte’s body building background also helps in his profession, and he makes the most of his training time. When you see Eric, you can tell he sticks to his goals, he eats well, and always learns from his experiences.
Eric is quite personable, you could even overhear him giving advice to fellow racers at the recent Buckeye criterium.
It is interesting meeting some elite riders, some seem so unapproachable, but not Eric. We are proud to be witness to his rise to the top.
Here’s a look at the results of some 2011 Events he participated in:
2011 1st Place Masters National Criterium Championship
2011 1st Place Masters National Road Race Championship*
2011 Most Aggressive Rider Athens Twilight Criterium
2011 1st Place Arizona State Road Race Championships
2011 1st Place Brentwood Grand Prix
2011 1st Place Old Pueblo Grand Prix
2011 1st Place stage 3 Tour de Murrietta
2011 1st Place overall Tucson Bicycle Classic*
2011 1st Place Stage 3 Valley of the Sun Stage race
2011 1st Place Tour de Scottsdale
2011 1st Place Dust Devil Series MTB #1 (Marathon)
Drum Line Instructor for Superior Pipes & Drums
Co-founder of Superior
Pipes & Drums
DCA National 1st Place Winner 2011
3rd Place Winner 2010
Ishpeming's own Wayne Oien, 57, took 1st place at the DCA National Drumming Competition over the Labor Day weekend 2011.
Drumming has been a big part of Oien's life for many years. He began playing at age 9 and has been involved in music ever since. He's part of a musical family, including his son, Paul, who is a bass guitarist; son, Adam, who is a trumpet player; and daughter, Jenny, also a trumpet player. His brother, Alan, has a degree in music and plays the bass harmonica.
Wayne Oien's never had formal lessons but took part in musical organizations and joined bands through the years.
"In 2002, a friend of mine, Ken Hiettiko, told me about a world championship snare drum competition in Pennsylvania," Oien said. "Because I had never competed in an individual competition before, I didn't think i had a chance of even placing.
"I thought 'just as long as I don't take last,'" Oien said. "Drummers from all over the world, including Switzerland, Canada, Japan and the United States had some of their best drummers represented. With my brother Alan's support, I entered the 2003 international rudimental drumming competition in Scranton, Pa., and placed fifth."
Oien said other competitors were friendly but he was asked the same question over and over: Who did you study with?
"I always said in response that I didn't study with anyone," he said. "So when I did so well, it was a surprise. I thought, 'wow.' I couldn't believe it. It was a dream come true being able to compete rudimentally with other drummers from around the world."
The performances are evaluated for originality, execution, showmanship, content and dynamics by an experienced panel of judges, Oien said. Points are subtracted for dropped sticks or control problems.
Since that inaugural competition in 2003, Oien has excelled in other events. He placed first in the Midwest Drumming Competition in DeKalb, Ill., in 2005. And in the DCA internationals, he took fourth in 2004; third in 2005; fourth in 2006; and 11th in 2007.
Because of a work conflict, he wasn't able to participate in the 2008 competition. Then the moose accident in 2009 derailed Oien from taking part that year. The accident was a stunner: Oien and a friend were driving along U.S. 41 on their way to work at Baraga Max Prison on Father's Day, 2009 when it happened. The little car they were traveling in hit a moose.
"The car was demolished and I had broken ribs, a broken palate and facial fractures," Oien said. "I had some doubt if I could perform drumming again after the accident." But the Ishpeming native fought his way back to health. And his drums.
He wanted to try again, so he entered in the 2010 DCA competition and took part in the event in Rochester, N.Y., on Sept. 3, winning 3rd place.
"The 2010 third place in Rochester was a real triumph for me," he said. "Especially after the disastrous 2009 accident."
In 2011 Wayne trekked up to Rochester, New York to test his skills against 13 other acclaimed snare percussionists. The Drum Corps Association hosted an individual snare competition where drummers had to show skill in rhythm, finesse and showmanship. Even though he was up against big time competition, Oien took first place!
"There's no way I should win this in a lot of ways, because these other guys I've talked to, they've had four instructors that were legends," said Oien. "They've had all these big instructors and basically I've had to learn most of this on my own."
Oien says practice made perfect. He rehearsed his solo for months at Al Quaal Recreation Area in Ishpeming before the competition.
Oien plans to continue competing in the future. In the interim, he will continue to keep busy with music. Along with Pierre Ogea, he's a founder of the Upper Peninsula's first bagpipe band, Superior Pipes and Drums.
"I enjoy being involved with the bagpipe band because it gives me an opportunity to produce a full quality drum line and enjoy teaching area drummers of all ages," Oien said.
Information Source: The Marquette Mining Journal.
Click Here! to view "1st place National Winner Wayne Oien snare solo DCA 2011"
Click Here! to view "3rd place International Winner Wayne Oien snare solo DCA 2010"
W. "Chuch" Magee
Road Tech for The Rolling Stones and Ron Wood
Royden W. "Chuch" Magee, the son of Jack Magee
and Harriett Mayo, was born in Utica, Michigan and spent his youth in
Oxford, Michigan. He attended Griffin Business School, Ferris, and Bethel
Married for eighteen years to his wife Clare, an artist
and seamstress, Chuch chose for his home a simple lifestyle, close to
the earth in Michigan's Upper Peninsula. He loved fishing, snowmobiling,
four-wheeling, making maple syrup, and spending time in the forest with
his dogs. He was an active member of Messiah Lutheran Church, serving
in a variety of supportive leadership roles, most often with youth ministry
programs. Chuch Magee also served as one of the first volunteers and
founders of the Cedar Tree Institute, a nonprofit organization.
In that role he worked with youth from the juvenile court supporting
environmental projects and planting over 1,000 cedar trees in Northern
Michigan.Chuch passed away unexpectedly at age 54 on Thursday evening,
July 18, 2002 during the Rolling Stones rehearsals in Toronto. At the
time he was working on a tour rehearsal in Toronto, Ontario with the
music industry. The cause of death is believed to be heart failure.
Beginning his career as a drum and guitar technician, he
has been working with Ronnie Wood and The Rolling Stones for 30 years,
as a sound engineer on works like the album "I've Got My Own Album
To Do" (1974), then on Rolling Stones tours, and the recent shows
of Ronnie in Dublin and London last year. Also, Chuch was with Charlie
on his tour with the Tentet to Japan and USA last year. He was named
in 1989 by Performance Magazine as "Road Technician of the Year".
In 1994 he received special recognition by a readers poll in that same
publication for his leadership of the "Best Road Crew" in
the music world of rock and roll.
On Stones tours Chuch was Backline Crew Chief. In studio
he was there too. Just like Pierre de Beauport (Keith's guitar technician)
and David Rouze (bass, Mick's guitars etc), as well as all the other
approx. 50 or so persons that are in Toronto now, Chuch was one of the
important support persons that makes it all run.
You may not have seen Chuch on stage, because your focus
is normally on the band, but he was there all the time. Usually, on
his knees, watching the band members, ready to rush if a guitar string
would break, or whenever Ronnie were supposed to change guitars. Some
times you could see that Chuch knew better what guitar to play than
the receiver of the guitar, as that was his job. Before and after shows,
Chuch was there for the fans.
Internationally, he was regarded among his peers as representing the
most highly respected and competent of his profession.
To those with whom he worked and lived, he was known for
his boundless energy, uncanny organizing abilities, gentle humor, and
unpretentious generosity. For an extraordinary number of people from
all walks of life, he will be remembered as an exquisite friend.
As taken from, The Rolling Stones Fan Club Of Europe
and The Marquette Mining Journal.